Le note predominanti del J.Rose sono quelle del ginepro.
Al naso si presenta caldo e pungente. I delicati sentori agrumati del bergamotto e delle bucce di mandarino rinfrescano il respiro e gli conferiscono un equilibrio morbido e setoso. L’aroma dei fiori di fico d’india rimbalza dal naso al palato e rilascia un retrogusto fruttato. L’essenza legnosa è donata dalla corteccia di quercia, caratterizzata da note tostate che evocano quelle della nocciola e della noce.
J.Rose ha un colore trasparente, limpido. Al contatto con ghiaccio e tonica, gli oli essenziali del bergamotto si espandono e donano al cocktail un riflesso argenteo, naturalmente torbido.
La sua gradazione alcolica del 43% esalta le nove botaniche, rendendolo un gin perfetto per i cocktail più esclusivi.
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Guido CREPAX
COD:Born in Milan in 1933 into an environment where art was part of everyday life, Guido Crepax grew up surrounded by music and aesthetic sensitivity: his father was the principal cellist at La Scala, and the rhythm of sound became for him the rhythm of the page. This inclination toward composition merged with the rigor of his degree in Architecture in 1958, which taught him to design not only spaces but also graphic panels.
Before turning to comics, Crepax refined his elegant style in advertising graphics, creating jazz record covers and campaigns for brands such as Shell and Campari. These experiences prepared him to bring modern aesthetics into his most famous works. In 1965, he introduced Valentina Rosselli on the pages of Linus, initially as a supporting character. Soon, however, Valentina became the absolute protagonist: a “living” woman, with an identity card, a career as a photographer, and a complex psyche. Not an archetype, but a character who ages alongside her creator, moving through Italian society of the 1960s and 1970s with independence and intensity. Creating Valentina meant breaking taboos, exploring female emancipation, and transforming eroticism into intellectual inquiry.
Crepax also revolutionized the language of comics, moving beyond the traditional grid. His storytelling took on cinematic rhythms, fragmenting action into minute details—a reflection in glasses, a gesture, a breath—expanding the perception of time. In this way, Valentina’s everyday life blends into a dreamlike dimension, making the reader a participant in her fragility and visions. Through her, Crepax fused fashion, literature, and psychoanalysis into a total art form, capable of capturing the anxieties of a society in flux.
Crepax remains an architect of desire, able to translate the aesthetics of the twentieth century into an eternal line, leaving behind a style icon that continues to engage with modernity.
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Vladimir VOLEGOV
COD:Born in 1957 in Khabarovsk, in Russia’s Far East, he spent his childhood moving frequently, always supported by the attentive and loving presence of his mother. From a young age, painting was a profound necessity for him—the most natural way to observe, understand, and give form to the world. The care of his mother shaped in him a sensitivity toward the female universe, which would become the heart of his artistic vision.
Women—with their silent strength, tenderness, and wisdom—are an inexhaustible source of inspiration. Through them, he learned that delicacy and sensitivity are profound forms of strength.
During his artistic training, he encountered the great masters of classical painting: Repin and Serov marked his early steps, while Anders Zorn, John Singer Sargent, Giovanni Boldini, and Joaquín Sorolla helped define his language, rooted in the emotional truth of the portrait, the grace of gesture, and light as a carrier of feeling.
He has worked in various fields—from illustration to editorial and digital projects—without ever abandoning painting. Traveling through Europe and creating portraits on the streets of Barcelona, Berlin, and Vienna, he learned to quickly capture the emotional essence of people, refining his way of representing it.
The main themes of his artistic research are women and childhood: capturing intimate moments, he seeks to convey care, tenderness, and love, making emotion visible.
In the early 2000s, his work gained international visibility through collaborations with galleries in Europe and the United States, consolidating a contemporary romantic realism centered on the human figure.
Since 2006, he has lived in Spain, where the light and atmosphere naturally influence his painting. Here his research has become more personal, focused not on formal likeness but on emotional resonance: what remains when time seems to stop.
Today, he continues to work on private commissions and personal projects, faithful to an idea that has always guided him: painting must breathe life, emotion, and humanity. Every work is born as a gesture of admiration and gratitude for the inner beauty of the human being.
